Cuadernos de Historia Cultural

E-ISSN: 0719-1030

Subjects: History and related fields within the humanities and social sciences.

Archives: 2018 (Volume 3)

Volume 3, Issue 1 (2018)

The Rhetoric of Ruins: Antiquity, Nationalism, and the Visual Culture of Post-Unification Rome

Gianluca Moretti (Department of Art and Cultural Heritage, Università di Roma La Sapienza, Italy)
Pages: 1-21
Abstract & Keywords
Following the formal unification of Italy and the establishment of Rome as its capital in 1870, the new nation-state faced the immense challenge of reconciling its glorious classical past with the modern demands of an emerging European metropolis. This paper examines the complex ideological manipulation of archaeological ruins and urban excavation projects between 1870 and 1900, arguing that ancient ruins were systematically repurposed as rhetorical instruments of nationalist legitimation. By analyzing municipal planning documents, contemporary photographic archives, and parliamentary debates regarding the transformation of the Roman Forum and the Palatine Hill, the study investigates how the urban fabric was surgically re-engineered to project a direct, uninterrupted lineage connecting the Risorgimento to the Roman Empire. The author highlights the tension between preservationist ideals championed by international scholars and the aggressive modernization drives of municipal technocrats who demolished medieval and Renaissance structures to uncover monumental antiquity. Furthermore, the research explores how these exposed ruins functioned within the visual culture of the period, shaping public monuments, civic textbooks, and patriotic tourism. The findings suggest that the physical archaeology of Rome was heavily mythologized to foster civic cohesion and national pride, demonstrating how political authorities leveraged antiquity to manufacture a unified modern identity out of a fragmented historical legacy.
Keywords: Post-Unification Rome, Antiquity, Nationalism, Visual Culture, Urban Planning, 19th-Century Italy.

Print Networks and the Radical Press: Transnational Anarchism in the Late 19th-Century Atlantic World

Saskia van der Meer (Institute for Social Movements, University of Amsterdam, Netherlands), Liam O'Connor (Department of Labor History, Trinity College Dublin, Ireland)
Pages: 22-42
Abstract & Keywords
The late 19th century witnessed an unprecedented wave of transnational radical political agitation, underpinned by a dense, underground network of multilingual print shops, radical newspapers, and clandestine distribution channels spanning the Atlantic basin. This article investigates the operational mechanics and cultural impact of anarchist print networks operating between Barcelona, London, Buenos Aires, and New York from 1880 to 1905. Drawing upon police surveillance records, intercepted postal correspondence, and radical periodicals preserved in international archives, the study traces how revolutionary pamphlets, manifestos, and theoretical treatises were translated, reproduced, and smuggled across maritime borders. The authors examine the crucial, yet frequently overlooked, roles played by itinerant typesetters, diaspora communities, and female activists in maintaining these fragile communication lifelines despite aggressive state censorship and transnational police cooperation. The research highlights how these radical publications served as vital cultural spaces for forging a shared internationalist class consciousness that transcended linguistic and national boundaries. Moreover, the paper explores the ideological debates hosted within these pages regarding direct action, syndicalism, and the ethics of political violence. The findings demonstrate that the late-nineteenth-century anarchist movement was fundamentally a media-driven phenomenon, highlighting the symbiotic relationship between print technology and radical political culture in the modern era.
Keywords: Anarchism, Print Networks, Transnational History, Radical Press, Late 19th Century, Atlantic World.

Healing Across Borders: Indigenous Pharmacopeia and Transcultural Medicine in Colonial Peru

Mateo Huamán-Condori (Centro de Estudios Andinos, Universidad Nacional de San Antonio Abad del Cusco, Peru)
Pages: 43-63
Abstract & Keywords
The encounter between European medical traditions and Andean healing practices in the 16th and 17th centuries generated a complex, highly dynamic process of transcultural medical exchange. This article examines the documentation, adaptation, and systemic appropriation of indigenous Andean pharmacopeia—specifically plants such as cinchona bark, coca, and guaiacum—by Spanish chroniclers, colonial physicians, and religious orders in the Viceroyalty of Peru. By analyzing colonial medical treatises, Inquisition trial transcripts, and indigenous-authored testimonies, the study explores how European medical practitioners gradually overcame their initial skepticism toward indigenous remedies, ultimately incorporating native botanicals into official Spanish medical frameworks while simultaneously attempting to suppress indigenous ritual healing practices. The author investigates the role of indigenous and mestizo healers as indispensable intermediaries who possessed specialized ecological knowledge critical for survival in the high-altitude Andean environment. The research further highlights the economic exploitation of these botanical discoveries, tracing how medicinal plants became lucrative commodities within global imperial trade routes. The findings suggest that colonial medicine was never a purely European imposition, but rather a hybrid enterprise forged through negotiation, cross-cultural borrowing, and the asymmetrical extraction of indigenous knowledge systems.
Keywords: Colonial Peru, Indigenous Pharmacopeia, Transcultural Medicine, Botanical History, Andean Studies, Early Modern Era.

Cinematic Modernity and Urban Spectacle: Film Culture in Interwar Buenos Aires

Catalina Benítez-Ríos (Instituto de Historia del Arte y Cine, Universidad de Buenos Aires, Argentina)
Pages: 64-84
Abstract & Keywords
During the interwar period, Buenos Aires solidified its status as the cultural and economic capital of the Southern Cone, characterized by rapid modernization, mass immigration, and the burgeoning consumption of mass entertainment. This article explores the rise of cinematic culture and its profound impact on the urban spatial imaginary of Buenos Aires between 1918 and 1939. Drawing on film magazines, architectural blueprints of grand picture palaces, municipal censorship files, and fan correspondence, the study investigates how cinema functioned as a key site of modern sensory experience and social negotiation. The author analyzes the architectural grandeur of downtown cinemas, arguing that these opulent movie theaters served as democratic palaces where diverse social classes converged to consume both Hollywood exports and the nascent domestic film industry. The research explores how cinematic narratives reflected and shaped contemporary anxieties surrounding urbanization, gender roles, tango culture, and social mobility. Furthermore, the paper discusses the emergence of film criticism as a specialized intellectual discourse, tracking how local intellectuals debated the aesthetic and moral value of the medium. The findings indicate that cinema was central to the construction of modern urban subjectivity in interwar Argentina, bridging local traditions with global currents of modernity.
Keywords: Interwar Cinema, Buenos Aires, Urban Modernity, Film Culture, Cultural History, Argentina.

Monastic Libraries and the Transmission of Knowledge in High Medieval Northern Europe

Astrid Lindholm (Department of Medieval Studies, Lund University, Sweden)
Pages: 85-105
Abstract & Keywords
Monastic scriptoria and libraries served as the intellectual hubs of high medieval Northern Europe, preserving classical texts, theological commentaries, and scientific treatises while fostering a distinct culture of scholarship and textual production. This article examines the growth, cataloging practices, and inter-monastic loan networks of Cistercian and Benedictine libraries in Scandinavia and Northern Germany during the 12th and 13th centuries. Utilizing surviving medieval manuscript fragments, monastic book inventories, and institutional correspondence, the study reconstructs how remote religious houses maintained intellectual contact with continental centers of learning such as Paris and Bologna. The author investigates the meticulous labor of manuscript copying, illumination, and binding, highlighting the physical and spiritual dimensions of book production within the monastery walls. The research explores the shifting composition of library collections over time, noting a gradual transition from strictly patristic and liturgical texts to an inclusion of natural philosophy, canon law, and historical chronicles. The findings demonstrate that medieval monasteries were not insular, stagnant repositories of isolated knowledge, but active participants in a dynamic, transnational network of intellectual exchange that laid the structural foundations for the later rise of European universities.
Keywords: Medieval Libraries, Monastic Culture, Manuscript Studies, Intellectual History, Northern Europe, 12th-13th Century.

The Gendered Politics of Leisure: Female Sport and Emancipation in Interwar Britain

Evelyn M. Vance (Institute for Gender and Cultural History, University of Manchester, UK)
Pages: 106-126
Abstract & Keywords
The aftermath of the First World War catalyzed profound shifts in social norms regarding female bodily autonomy, mobility, and public participation in Great Britain. This article explores the burgeoning women's sports movement during the interwar years (1919-1939), examining how participation in athletics—such as track and field, football, cycling, and swimming—contributed to the physical and social emancipation of women. Drawing upon sports club archives, contemporary periodical literature, medical journals, and personal diaries, the study investigates the fierce resistance encountered by female athletes from conservative medical establishments and patriarchal sports administrators who argued that rigorous physical exertion threatened reproductive health and feminine modesty. The author analyzes the creation of independent women's sports organizations, workplace athletic leagues, and their representation in the popular press, highlighting how female athletes carved out autonomous public spaces for physical expression and camaraderie. The research further explores the intersection of class and leisure, noting how working-class women utilized factory sports clubs to negotiate better working conditions and forge collective identities. The findings suggest that the interwar sporting boom was a crucial battleground for modern bodily politics, demonstrating how physical culture played an instrumental role in redefining Victorian ideals of womanhood in 20th-century Britain.
Keywords: Interwar Britain, Women's Sport, Physical Culture, Gender Emancipation, Leisure Studies, 20th Century.

Maritime Encounters and Cartographic Silences: Mapping the Pacific Coast of North America in the 18th Century

Guillaume L. Dubois (Centre d'Études Historiques Maritimes, Université de Nantes, France)
Pages: 127-147
Abstract & Keywords
The 18th-century exploration of the Pacific Northwest coast of North America by Spanish, British, French, and Russian maritime expeditions was marked by fierce geopolitical competition, navigational hazards, and significant cartographic omissions. This article examines the production of maritime charts and navigational logs during the era of Enlightenment exploration (1770-1795), focusing on how European cartographers negotiated the vast geographical unknowns and indigenous presence of the Pacific shoreline. By analyzing manuscript maps, admiralty archives, and naturalist journals from voyages led by figures such as James Cook, Alejandro Malaspina, and George Vancouver, the study investigates the political imperatives that drove hydrographic surveying. The author highlights the concept of "cartographic silences"—the deliberate omission or fabrication of coastal features on official maps to assert territorial claims or obscure rival nations' discoveries. Furthermore, the research explores the crucial reliance of European explorers on indigenous navigational knowledge, coastal charts carved in wood, and local guides, contributions that were frequently minimized or erased in published European accounts. The findings provide a critical reassessment of Enlightenment cartography, demonstrating that maritime maps of the Pacific were ideological constructs designed to project imperial dominance while masking the complex realities of indigenous territorial sovereignty.
Keywords: Maritime History, Pacific Northwest, Enlightenment Cartography, Exploration, 18th Century, Indigenous Knowledge.
Volume 3, Issue 2 (2018)

The Architecture of Surveillance: Penitentiary Design and Penal Reform in 19th-Century Mexico

Ignacio Morales-Vega (Centro de Estudios Históricos, El Colegio de México, Mexico)
Pages: 148-168
Abstract & Keywords
During the late 19th century, Mexican political elites and criminologists embraced European and North American models of prison reform, viewing modern architectural design as an essential scientific tool for social engineering and moral regeneration. This article examines the intellectual and material history of penitentiary construction in Porfirian Mexico (1876-1911), focusing on the implementation of Jeremy Bentham's Panopticon principles and the eventual construction of the infamous Palacio de Lecumberri. Drawing upon architectural blueprints, ministerial reports, prison inspection logs, and criminological tracts of the era, the study investigates how penal architecture was conceptualized to enforce total surveillance, psychological discipline, and labor productivity among inmates. The author analyzes the friction between modern criminological theories imported from Europe (such as Italian positivist criminology) and the chaotic socio-economic realities of Mexican urban poverty and institutional corruption. The research further explores the lived experiences of prisoners within these panoptic structures, examining how inmates subverted official surveillance systems through clandestine communication, mutual aid networks, and prison riots. The findings suggest that 19th-century Mexican penology was a deeply contradictory project, attempting to project an image of modern state rationality and scientific progress while masking systemic human rights abuses and social control mechanisms.
Keywords: 19th-Century Mexico, Penitentiary Design, Panopticon, Penal Reform, Criminology, Surveillance Architecture.

Sonic Modernities: The Gramophone, Soundscapes, and Listening Culture in 1920s Berlin

Tobias Becker (Institute for Media and Cultural History, Humboldt-Universität zu Berlin, Germany)
Pages: 169-189
Abstract & Keywords
The Weimar Republic era in Germany was characterized by a radical acceleration of technological modernity, mass entertainment, and acoustic transformation. This article investigates the cultural impact of the commercial gramophone and the emergence of modern listening habits in 1920s Berlin. Drawing on contemporary audio trade journals, acoustic design patents, municipal noise ordinances, and cultural criticism from figures such as Theodor Adorno and Walter Benjamin, the study explores how recorded sound fundamentally altered the urban soundscape and private domestic spaces. The author examines the mass production and marketing of shellac records, tracing how classical music, jazz, cabaret tunes, and political speeches were commodified for a mass consumer market. The research highlights the intense cultural anxieties provoked by recorded sound, noting how conservative critics condemned the gramophone for encouraging passive consumption, moral decay, and auditory pollution within the dense metropolis. Furthermore, the paper analyzes the spatial dimensions of listening, detailing how cafes, dance halls, and tenement apartments became acoustic battlegrounds where competing social classes negotiated modern sensory experiences. The findings demonstrate that the technological reproduction of sound in Weimar Berlin was central to the formation of modern mass culture and urban subjectivity.
Keywords: Weimar Berlin, Gramophone, Soundscapes, Listening Culture, Mass Media, 1920s Cultural History.

Merchants, Missionaries, and Mandarins: Cultural Negotiation in Late Ming China

Mei-Ling Zhang (Department of Asian Cultural History, National Taiwan University, Taiwan), Jonathan P. Edwards (Center for East-West Historical Studies, University of Hawaii, USA)
Pages: 190-210
Abstract & Keywords
The late Ming dynasty (1573-1644) witnessed a remarkable convergence of European Jesuit missionaries, international maritime traders, and native Confucian scholar-officials, creating a vibrant space of cross-cultural dialogue and intellectual adaptation. This article examines the complex strategies of cultural translation and accommodation employed by figures such as Matteo Ricci and his Chinese interlocutors, focusing on the transmission of Western mathematics, astronomy, and Western philosophy within elite imperial circles. Utilizing bilingual Jesuit records, imperial court gazettes, and personal scholarly correspondence, the study investigates how European scientific knowledge was strategically presented not as a foreign imposition, but as compatible with or complementary to classical Confucian learning. The authors analyze the intellectual resistance encountered from conservative Confucian mandarins who viewed Western teachings as heterodox and threatening to the moral foundation of the state. The research further explores the commercial networks of Portuguese and Chinese merchants operating in coastal trading hubs like Macau, demonstrating how economic exchange facilitated intellectual and religious transmission. The findings suggest that late Ming cultural encounters were characterized by mutual adaptation and strategic selectivity rather than unidirectional Western domination, offering a nuanced perspective on early modern globalization in East Asia.
Keywords: Late Ming China, Jesuits, Cultural Negotiation, Scientific Transmission, Early Modern History, East-West Exchange.

Fashioning the Bourgeois Self: Dress, Class, and Identity in Mid-19th-Century Paris

Camille Leroy (Institut d'Histoire de la Mode et de la Culture, Université Paris-Sorbonne, France)
Pages: 211-231
Abstract & Keywords
Mid-19th-century Paris, undergoing the monumental urban restructuring led by Baron Haussmann, witnessed the birth of modern consumer capitalism and haute couture. This article explores the intricate relationship between fashion, class distinction, and bourgeois self-fashioning during the Second Empire (1852-1870). Drawing upon fashion plates, department store archives, etiquette manuals, and contemporary literary works by figures like Charles Baudelaire and Émile Zola, the study investigates how clothing served as a vital visual language for signaling social mobility, moral respectability, and economic status in the rapidly modernizing metropolis. The author analyzes the rise of the grand magasin (department store) and its democratization of fashion, noting how ready-to-wear clothing complicated traditional class boundaries by allowing the petite bourgeoisie to mimic aristocratic styles. The research highlights the gendered dimensions of sartorial consumption, examining the constraints placed on female bourgeois mobility through confining undergarments while simultaneously analyzing the subversive figure of the Parisian dandy and the fashion-conscious working-class grisette. The findings indicate that fashion in Second Empire Paris was not superficial ornamentation, but a central mechanism of social discipline, capitalist expansion, and modern identity formation.
Keywords: 19th-Century Paris, Fashion History, Bourgeois Identity, Consumer Capitalism, Second Empire, Cultural Studies.

Sacred Landscapes and Imperial Domination: The Transformation of Inca Shrines in Colonial Cuzco

Diego Yupanqui-Tito (Centro de Investigaciones Históricas Andinas, Universidad Nacional Mayor de San Marcos, Peru)
Pages: 232-252
Abstract & Keywords
Following the fall of the Inca Empire, Spanish colonial authorities and the Catholic Church launched an aggressive campaign of ideological conquest, known as the Extirpation of Idolatry, aimed at eradicating indigenous religious practices in the Andean highlands. This article examines the systematic transformation and spatial re-inscription of sacred Andean landscapes in the region of Cuzco during the 16th and 17th centuries. By analyzing architectural surveys, ecclesiastical inspection reports, and colonial administrative documentation, the study investigates how Catholic churches, shrines, and crosses were deliberately erected on top of sacred Inca huacas, shrines, and ceremonial centers. The author analyzes the dual nature of this architectural policy: a physical assertion of Christian triumph over paganism, and a pragmatic concession to indigenous spatial memory, as native populations continued to venerate traditional deities within or adjacent to Christianized sites. The research explores the subtle forms of indigenous resistance and syncretic adaptation that emerged, demonstrating how local communities maintained covert ritual practices tied to mountains, water sources, and ancestral mummies. The findings reveal that the colonial sacred landscape of Cuzco was a deeply contested terrain marked by ongoing ideological negotiation, erasure, and cultural resilience.
Keywords: Colonial Cuzco, Inca Shrines, Sacred Landscapes, Extirpation of Idolatry, Syncretism, Andean History.

Propaganda, Patriotism, and the Poster Art of the First World War in France

Marcelle B. Dupont (Department of Modern European History, Université de Lyon II, France)
Pages: 253-273
Abstract & Keywords
The First World War marked the first total industrial conflict in human history, requiring unprecedented mobilization not only of military troops on the battlefield, but of civilian populations on the home front. This article examines the production, visual iconography, and psychological function of war propaganda posters in France between 1914 and 1918. Drawing upon governmental propaganda archives, museum collections of lithographic posters, and contemporary journalistic accounts, the study investigates how state agencies and commercial artists collaborated to craft persuasive visual narratives designed to stimulate patriotic fervor, encourage war bond purchases, promote conservation, and demonize the wartime enemy. The author analyzes the symbolic motifs frequently employed in these posters—such as the figure of Marianne, heroic poilus, suffering refugees, and the moral imperative of national defense—and how they evolved in response to changing military fortunes and war fatigue. The research explores the spatial distribution of these visual appeals across urban billboards, railway stations, and municipal buildings, creating an omnipresent public sphere of martial mobilization. The findings demonstrate that wartime poster art was a powerful instrument of psychological control and emotional management, playing a vital role in maintaining civilian morale and national cohesion during the darkest years of the conflict.
Keywords: World War I, France, Poster Art, Propaganda, Visual Culture, Home Front History.

Sailing the Monsoon: Maritime Technology and Commercial Networks in the Early Modern Arabian Sea

Tariq Al-Mansoor (Institute for Gulf and Indian Ocean Studies, Sultan Qaboos University, Oman), Henrik Lindqvist (Department of Maritime History, University of Bergen, Norway)
Pages: 274-294
Abstract & Keywords
The Arabian Sea has served for millennia as a vital maritime highway connecting the Middle East, the East African coast, and the Indian subcontinent, driven primarily by the cyclical predictability of the monsoon winds. This article examines the technological innovations in shipbuilding—specifically the construction of traditional dhows—and the evolution of commercial credit networks in the early modern Arabian Sea during the 17th and 18th centuries. Utilizing Arabic navigation manuals, Ottoman trade records, port customs manifests, and European East India Company archives, the study investigates the sophisticated navigational expertise and financial instruments utilized by multi-ethnic merchant syndicates (Arab, Persian, Gujarati, and Swahili). The authors analyze how shipwrights adapted hull designs and lateen sail rigging to optimize speed and cargo capacity across open ocean routes, defying the simplistic European colonial characterizations of indigenous maritime technology as primitive. The research further explores the cosmopolitan port cities of Muscat, Surat, and Zanzibar, highlighting how legal customs, multilingual arbitration boards, and shared maritime traditions facilitated smooth commercial transactions across religious and political divides. The findings suggest that the early modern Arabian Sea was an integrated, highly efficient maritime trading zone governed by indigenous commercial networks that long outlasted early European imperial incursions.
Keywords: Arabian Sea, Maritime History, Dhow Technology, Trade Networks, Early Modern Era, Indian Ocean.